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XXXIV Devonshire Park. It is also an admirable town for horsemanship.

Eastbourne has had small share in public affairs, but in 1741 John Hamilton Mortimer, the painter, sometimes called the Salvator Rosa of England, was born there. From a memoir of him which Horsfield prints, I take passages: "Bred on the sea-coast, and amid a daring and rugged race of hereditary smugglers, it had pleased his young imagination to walk on the shore when the sea was agitated by storms—to seek out the most sequestered places among the woods and rocks, and frequently, and not without danger, to witness the intrepidity of the contraband adventurers, who, in spite of storms and armed excisemen, pursued their precarious trade at all hazards. In this way he had, from boyhood, become familiar with what amateurs of art call 'Salvator Rosa-looking scenes'; he loved to depict the sea chafing and foaming, and fit 'to swallow navigation up'—ships in peril, and pinnaces sinking—banditti plundering, or reposing in caverns—and all such situations as are familiar to pirates on water, and outlaws on land....

"Of his eccentricities while labouring under the delusion that he could not well be a genius without being unsober and wild, one specimen may suffice. He was employed by Lord Melbourne to paint a ceiling at his seat of Brocket Hall, Herts; and taking advantage of permission to angle in the fish-pond, he rose from a carousal at midnight, and seeking a net, and calling on an assistant painter for help, dragged the preserve, and left the whole fish gasping on the bank in rows. Nor was this the worst; when reproved mildly, and with smiles, by Lady Melbourne, he had the audacity to declare, that her beauty had so bewitched him that he knew not what he was about. To plunder the fish-pond and be impertinent to the lady was not the way to obtain patronage. The impudent painter collected his pencils together, and returned to London to enjoy his inelegant pleasures and ignoble company."