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little "Vicar's court." He died in 1300, his successor was ''Bishop John of Dalderby'', the same who had a miracle-working shrine of pure silver in the south transept, and whom the people chose to call St. John of Dalderby, just as they did in the case of Bishop Grosteste, though the Pope had refused canonisation in each case. He finished the great tower, which, with its beautiful arcaded tower stage, its splendid double lights and canopies above, and its delicate lace-like parapet, seems to me to be quite the most satisfying piece of architecture that this or any other county has to show. It is finished with tall pinnacles of wood covered with lead. The exquisite stone rood-screen and the beautiful arches in the aisles were put in at the same time, the work on the screen being, as Sir C. Anderson remarks, very like the work on the Eleanor's Cross at Geddington. He died in 1320, and the lovely tracery of the circular window in the south transept, called "The Bishop's eye," was inserted about 1350 above his tomb.

John de Welbourn, the munificent treasurer, who died in 1380, gave the eleven statues of kings beneath the window at the west end, which begin with William the Conqueror and end with Edward III., in whose reign they were set up. Among other benefactions Welbourn gave the beautifully carved choir stalls, and he also vaulted the towers. These were all, at one time, finished by leaded spires. Those of the western tower being 100 feet high, and that on the great central or rood tower soaring up to a height of 525 feet. This was blown down in 1547, and the western spires were removed in 1807-08, a mob of excited citizens having prevented their removal in 1727, but eighty years later the matter made no great stir, and though their removal may by some be regretted, I think it is a matter of pure congratulation that the splendid central tower, whose pinnacles attain an altitude of 265 feet, should have remained as it is. The delicate lace-like parapet was added in 1775. It is not very likely that anyone should propose to raise those spires again, but dreadful things do happen; and quite lately one of our most eminent architects prepared a design for putting a spire on the central tower at Peterborough. Think of that! and ask yourself, is there any stability in things human?

Apart from its commanding situation, the whole pile is very magnificent, and, viewed as a whole, outside, it has nothing to touch it, though the west front is not to compare in beauty with