Page:Hieroglyphics.pdf/59

 purpose. He contrives the corporal overthrow of the Marquis of Steyne, he shows you that bald old nobleman sprawling on the floor, and the words that he uses are his brisk, willing, and capable servants. He has observation, and artifice, and "style" in that secondary sense which we distinguished from the real style; from those "melodies unheard" which I called (I think rather picturesquely) the glorified body of the highest literary art. But these qualities, we found out, are not, separately or conjointly, the differentia of fine literature as we understand the term; and consequently, with all our admiration and all our interest we are compelled to place Thackeray in the lower form, simply because he is clearly and decisively lacking in that one essential quality of ecstasy, because he never leaves the street and the highroad to wander on the eternal hills, because he does not seem to be aware that such hills exist.

Of course I have only taken Thackeray as the representative of his class, and I chose him, as I remarked, because, for me, he is the most favourable representative of it. I am thinking, really, of the "plain man" whom we have engaged in so many forms, and of his "plain"