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 such a book as the "Odyssey" and such a book as the "Morte d'Arthur." Neither is "prosaic" in the common sense of the word; each is "poetical"; but the Greek book is poetry because it is numbered, and the English is prose because it lacks number. Of course there are difficult cases; hybrids, as there always are, whatever laws one may lay down.

That word "natural" is another of the many traps that language sets us. I think that its real meaning has become almost reversed. Take the average man to church, and ask him his opinion of the "intoning," and in nine cases out of ten he will say that it may be pretty, but that it is very unnatural. He means, of course, that speaking is natural, and that singing—"numerosity" of tone—is not natural, is, in a word, artificial. He is utterly wrong. It is artificial to speak in the ordinary manner, while the priests' chant, and every chant are purely natural. For the proof of this you have only to read a little—a very little—about primitive, or "natural" peoples, or, more simply, to listen to children at play. You will always find that