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 Then nature for a sweet allurement sets Two smelling, swelling, bashful cherrylets, The which with ruby redness being tipp'd, Do speak a virgin, merry, cherry-lipp'd. Over the which a neat, sweet skin is drawn, Which makes them show like roses under lawn: These be the ruby portals, and divine, Which ope themselves to show a holy shrine Whose breath is rich perfume, that to the sense Smells like the burn'd Sabean frankincense: In which the tongue, though but a member small, Stands guarded with a rosy-hilly wall; And her white teeth, which in the gums are set Like pearl and gold, make one rich cabinet. Next doth her chin with dimpled beauty strive For his white, plump, and smooth prerogative; At whose fair top, to please the sight, there grows The fairest[D] image of a blushing rose, Mov'd by the chin, whose motion causeth this, That both her lips do part, do meet, do kiss; Her ears, which like two labyrinths are plac'd On either side, with rich rare jewels grac'd, Moving a question whether that by them The gem is grac'd, or they grac'd by the gem. But the foundation of the architect Is the swan-staining, fair, rare, stately neck Which with ambitious humbleness stands under, Bearing aloft this rich, round world of wonder. Her breast, a place for beauty's throne most fit,