Page:Henry VIII (1925) Yale.djvu/167



The question of the authorship of Henry VIII is still partly unsolved. It is assigned to Shakespeare chiefly because it appears in the First Folio of 1623. That was edited by Heminges and Condell, two actors who had been in Shakespeare's company and who, by contemporary reports, had had parts in this particular play. The assumption is that when it is classed by them among Shakespeare's plays, they knew what they were talking about. On the other hand, it has been pointed out that the publication of the First Folio was a commercial venture, involving separate copyrights, and that, while the play, Henry VIII, was undoubtedly played by Shakespeare's company, it does not necessarily follow that he wrote the whole of it, the major part of it, or even any of it at all. As early as 1758 it was remarked that certain parts of the play have metrical peculiarities unlike Shakespeare's style. But it was not until a hundred years later that James Spedding, led by a remark of the poet Tennyson, made a careful investigation, and published his results in the Gentleman's Magazine, in 1850. Aside from subtler criteria, the great test is the proportionately large use of the eleven syllable line, the so-called feminine ending. As an example chosen at random, take the Chamberlain's speech in I. iii. The extra syllables are italicized.