Page:Henry B. Fuller - Bertram Cope's Year, 1919.djvu/114

 Tea was served before the big fireplace in which a small flame to heat the kettle was rising. Randolph set his empty cup on the shelf above.

"Notice," said Mrs. Phillips to him, "that poem of Carolyn's just behind your cup: 'Summer Day in Duneland'." It was a bit of verse in a narrow black frame, and the mat was embellished with pen-and-ink drawings of the dunes, to the effect of an etching. An etcher, in fact, a man famous in his field, had made them, Mrs. Phillips explained.

"And at the other end of the shelf," she advised him, "is a poem in free verse, done by a real journalist who was here in June. See: 'Homage to Dunecrest'—written with a blue pencil on a bit of driftwood."

"Sorry we can't leave any souvenir behind," said Cope, who had stolen up and was looking at the "poem" over Randolph's shoulder. "But one must (first) be clever; and one must (second) know how to put his cleverness on record."

"I shall remember your record," she returned with emphasis. Cope smiled deprecatingly; but he felt sure that he had sung well.

The moonlight, when it came, was all that Medora Phillips had promised. There was another stroll on the beach, with Cope between Medora and Carolyn. Then he and Randolph took the causeway across the marsh, stopped the trolley by burning a newspaper on the track, and started on the long trip home.

As the car ran along jerkily from station to station, the earlier void of Duneland became peopled indeed. The extraordinarily mild day had drawn out