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 terror. Instantly there sounded from the wings a bellowing roar of rage, and like a flying fury, the wild, hairy figure of Ursus came bounding upon the scene.

Seizing Vinicius by the shoulders, Ursus shook him till all his harness rattled, then hurled him up stage and crashing to the floor. Lygia was swaying dizzily as if about to faint, but with another leap Ursus had gained her side and swung her into his arms, after which he turned and went hurdling across the stage, running in long, springing strides as lightly as a deer, the fair, delicious form of the girl balanced buoyantly on his arms, while her dark hair streamed out and downward over his shoulder—all of this to the complete consternation of the half-drunken Court of Cæsar and the vast and tumultuously expressed delight of the audience, which kept the curtain frisking up and down repeatedly over this climactic conclusion of the second act, while the principals posed and bowed and posed again and bowed again, to the audience, to themselves, and to the scenery. Robert Mitchell even supposed that Ursus was bowing to him, so being naturally polite and somewhat beside himself, the General Freight Agent was on the point of bowing back again when Bessie screamed:

"Oh! Oh! He bowed directly at me."

By this time, however, the curtain had recovered from its frenzy and stayed soberly down while the lights came up so the people could read the advertisements on the front. Immediately the tongues of the audience were all a-buzz, and industriously passing up and down the lines of the seats was the information that John Hampstead was a local character. "Oh, yes, indeed,—instructor in public speaking at the Young Men's Christian Association."

In due course, this piece of interesting information reached the Mitchells in their box.