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 hills of the South became famed as a bad man among men who had made a life-long study of the art of truculence.

At nine the next morning Calliope was fit. Inspired by his own barbarous melodies and the contents of his jug, he was ready primed to gather fresh laurels from the diffident brow of Quicksand. Encircled and crisscrossed with cartridge belts, abundantly garnished with revolvers, and copiously drunk, he poured forth into Quicksand’s main street. Too chivalrous to surprise and capture a town by silent sortie, he paused at the nearest corner and emitted his slogan—that fearful, brassy yell, so reminiscent of the steam piano, that had gained for him the classic appellation that had superseded his own baptismal name. Following close upon his vociferation came three shots from his forty-five by way of limbering up the guns and testing his aim. A yellow dog, the personal property of Colonel Swazey, the proprietor of the Occidental, fell feet upward in the dust with one farewell yelp. A Mexican who was crossing the street from the Blue Front grocery carrying in his hand a bottle of kerosene, was stimulated to a sudden and admirable burst of speed, still grasping the neck of the shattered bottle. The new gilt weathercock on Judge Riley’s lemon and ultramarine two-story residence shivered, flapped, and hung by a splinter, the sport of the wanton breezes.

The artillery was in trim. Calliope’s hand was