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 nor unfamiliar. Raidler was the product of a different soil. Six feet two in height, miles broad, and no deeper than a crystal brook, he represented the union of the West and South. Few accurate pictures of his kind have been made, for art galleries are so small and the mutoscope is as yet unknown in Texas. After all, the only possible medium of portrayal of Raidler’s kind would be the fresco—something high and simple and cool and unframed.

They were rolling southward on the International. The timber was huddling into little, dense green motts at rare distances before the inundation of the downright, vert prairies. This was the land of the ranches; the domain of the kings of the kine.

McGuire sat, collapsed into his corner of the seat, receiving with acid suspicion the conversation of the cattleman. What was the “game” of this big “geezer”? who was carrying him off? Altruism would have been McGuire’s last guess. “He ain’t no farmer,” thought the captive, “and he ain’t no con man, for sure. W’at’s his lay? You trail in, Cricket, and see how many cards he draws. You’re up against it, anyhow. You got a nickel and gallopin’ consumption, and you better lay low. Lay low and see w’at’s his game.”

At Rincon, a hundred miles from San Antonio, they left the train for a buckboard which was waiting there for Raidler. In this they travelled the thirty miles between the station and their destination. If