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Rh ::“(C) —
 * “(i) —The digital licensee coordinator is authorized to perform the following functions, subject to more particular requirements as described in this subsection:
 * “(I) Establish a governance structure, criteria for membership, and any dues to be paid by its members.
 * “(II) Engage in efforts to enforce notice and payment obligations with respect to the administrative assessment, including by receiving information from and coordinating with the mechanical licensing collective.
 * “(III) Initiate and participate in proceedings before the Copyright Royalty Judges to establish the administrative assessment under this subsection.
 * “(IV) Initiate and participate in proceedings before the Copyright Office with respect to activities under this subsection.
 * “(V) Gather and provide documentation for use in proceedings before the Copyright Royalty Judges to set rates and terms under this section.
 * “(VI) Maintain records of its activities.
 * “(VII) Assist in publicizing the existence of the mechanical licensing collective and the ability of copyright owners to claim royalties for unmatched musical works (and shares of works) through the collective.
 * “(VIII) Engage in such other activities as may be necessary or appropriate to fulfill its responsibilities under this subsection.
 * “(ii) —The digital licensee coordinator may not engage in government lobbying activities, but may engage in the activities described in subclauses (III), (IV), and (V) of clause (i).
 * “(iii) —The digital licensee coordinator shall make reasonable, good-faith efforts to assist the mechanical licensing collective in the efforts of the collective to locate and identify copyright owners of unmatched musical works (and shares of such works) by encouraging digital music providers to publicize the existence of the collective and the ability of copyright owners to claim unclaimed accrued royalties, including by—
 * “(I) posting contact information for the collective at reasonably prominent locations on digital music provider websites and applications; and
 * “(II) conducting in-person outreach activities with songwriters.
 * “(6) —
 * “(A) —
 * “(i) —Not later than 45 calendar days after the license availability date, or 45