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 and cast of thought subtly supervised. Throughout the program Keble made quiet entrances and exits, dimly realizing what was taking place, grateful for, yet a little distrustful of the gradual transformation. It was as though, in an atmosphere of peace, unknown forces were being secretly mobilized. There was a charm for him in the nightly fireside readings and conversations. When he was present they were likely to develop into a monologue of daring theories invented and sustained by Louise,—a Louise who had begun to take some of her girlish extravagances in earnest. In the end Keble found himself, along with Miriam Cread, bringing to bear against Louise's radicalism the stock counter arguments of his class.

This was disconcerting, for he had been in the habit of regarding himself as an innovator, with his back to the past and his gaze fixed upon the future; and although it was pleasant to find himself so often in accord with a highly civilized and attractive young woman just appreciably his senior, it was a set-back to his illusion of having graduated from the prejudices and short-sightedness of conventional society. For the sum total of his mental bouts with Louise was that she serenely but quite decisively relegated him to the ranks of the safe and sane. And "safe and sane" as she voiced the phrase meant something less commendable than "safe and sane" as he voiced it. For Keble "safe and sane" was of all vehicles the one which would carry him and his goods most adequately to his mortal destination. He had always