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EDWARD H. COATES where the public has little opportunity to see and study them.

World-renowned American masters of Art were, at this time, in the hey-day of their success, and the walls of the Academy were annually adorned by important works from the hands of Sargent, Abbey, Whistler, Cecilia Beaux, Chase, Anschutz, Tanner, Weir, Lawson, Twatchman, and a host of brilliant young painters rising into fame.

Mr. Coates wisely established the schools upon a conservative basis, building almost unconsciously the dykes high against the oncoming flow of insane novelties in art patterns, and keeping the pumps going against the ebb that was carrying the weak-minded and feeble-fingered back to the totems of Yucatan and Kamschatka. In this last struggle against modernism the President was ably supported by Eakins, Anschutz, Grafly, Thouron, Vonnoh, and Chase.

His unfailing courtesy, his disinterested thoughtfulness, his tactfulness, and his modesty endeared him to scholars and masters alike. No sacrifice of time or of means was too great, if he thought he could accomplish the end he always had in view—the honour and the glory of the Academy. It was under Mr. Coates' enlightened direction that was fulfilled the expressed wish of Benjamin West, the first honorary Academician, that "Philadelphia may be as much celebrated for her galleries of paintings by the native genius of the country, as she is distinguished by the virtues of her people; and that she may be looked up to as the Athens of the Western World in all that can give polish to the human mind."

In the interests of the Academy Mr. Coates became a generous patron of the arts: and it was not difficult, to one