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 into which he has never inquired. Besides, as Mr. Tylor has pointed out, explanations of the elemental sort, all about storm and dawn, are so easy to find that every guesser can apply them at will to every märchen. In these inquiries we must never forget that "rash inferences which, on the strength of mere resemblances, derive episodes of myth from episodes of nature, must be regarded with utter distrust, for the student who has no more stringent criterion than this for his myths of sun, and sky, and dawn, will find them wherever it pleases him to seek them" (Primitive Culture, i. 319). This sort of student, indeed, finds his myths of sun, and sky, and dawn all through the Grimms' Collection.

We have now set forth the nature of the problems which meet the inquirer into Household Tales, and we have tried to illustrate the necessity of a critical method, and the danger of being carried away by faint or fancied resemblances and analogies. Our next step is to examine the theory of the diffusion and origin of Household Tales set forth by Sir George Cox in his Mythology of the Aryan Nations (1870) This theory was suggested by, and, to a certain extent, corresponds with the mythological philosophy of Mr. Max Müller, as published in Oxford Essays (1856), and more recently in Selected Essays (1881). There are, however, differences of detail and perhaps of principle in the systems of these two scholars. As to the diffusion of identical folk tales among peoples of Aryan speech. Sir George Cox (dismissing theories of borrowing or adaptation) writes:

"The real evidence points only to that fountain of mythical language from which have flowed all the streams of Aryan epic poetry, streams so varied in their character yet agreeing so closely in their elements. The substantial identity of stories told in Italy, Norway and India can but prove that the treasure-house of mythology