Page:Great Men and Famous Women Volume 8.djvu/22

 208 ARTISTS AND AUTHORS drapery and ornaments, the helmet, the shield, and the sandals of gold, which as in the case of the statue made for Platsea, was removable at pleasure. The height of the statue, including the pedestal, was nearly forty feet. The goddess stood erect, clothed with a tunic reaching to the ankles, and showing her richly sandalled feet. She had the oegis on her breast, her head was covered with a helmet, and her shield, richly embossed with the Battle of the Amazons, rested on the ground at her side, In one hand she held a spear, and in the other, an image of Victory six feet high. A still more splendid work, and one which raised the fame of Phidias to the highest point, was the statue of the Olympian Zeus, made for the Eleans. In this statue. Phidias essayed to embody the Homeric ideal of the supreme divinity of the people of Greece sitting on his throne as a monarch, and in an attitude of majestic repose. The throne, made of cedar-wood, was covered with plates of gold, and enriched with ivory, ebony, and precious stones. It rested on a plat- form twelve feet high, made of costly marble and carved with the images of the gods who formed the council of Zeus on Olympus. The feet of the god rested on a footstool supported by lions, and with the combat of Theseus and the Amazons in a bas-relief on the front and sides. In one hand Zeus held the sceptre, and in the other a winged Victory. His head was crowned with a laurel wreath ; his mantle, falling from one shoulder, left his breast bare and covered the lower part of his person with its ample folds of pure gold enamelled with flowers. The whole height of the statue with the pedestal was about fifty feet ; by its very disproportion to the size of the temple it was made to appear still larger than it really was. This statue was reckoned one of the wonders of the world. In it the Greeks seemed to behold Zeus face to face. To see it was a cure for all earthly woes, and to die without having seen it was reckoned a great calamity. The downfall of Pericles, due to the jealousies of his rivals, carried with it the ruin 6f Phidias, his close friend, to whom he had entrusted such great undertak- ings. An indictment was brought against the sculptor, charging him with appro- priating to himself a portion of the gold given him for the adornment of the statue of Athena ; and according to some authorities Pericles himself was included in the charge. The gold had, however, been attached to the statue in such a manner that it could be taken off and weighed, and in the proof, the charge had to be abandoned. But Phidias did not escape so easily. He was accused of sac- rilege in having introduced portraits of himself and Pericles on the shield of the goddess, where, says Plutarch, in the bas-relief of the Battle of the Amazons, he carved his own portrait as a bald old man lifting a stone with both hands, and also introduced an excellent likeness of Pericles fighting with an Amazon. Phidias died in prison before the trial came off, and his name must be added to the long list of those whom an ungrateful world has rewarded for their services with ignominy and death. (^-zrA. '<-