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 FRANZ LISZT 335 afford to pay for his lessons, most pitiful to the poor, most dutiful and affection- ate to his mother. Coming home late from some grand entertainment, he would sit outside on the staircase till morning, sooner than awaken, or perhaps alarm, her by letting himself in. But in losing his father he seemed to have lost a cer- tain method and order. His meals were irregular, so were his lessons ; more so were the hours devoted to sleep. At this time he was hardly twenty ; we are not surprised anon to hear in his own words, of " a female form chaste, and pure as the alabaster of holy vessel," but he adds : " Such was the sacrifice which I offered with tears to the God of Christians ! " I will explain. Mile. Caroline St. Cricq was just seventeen, lithe, slender, and of "angelic" beauty, with a complexion like a lily flushed with roses, open, " impressionable to beauty, to the world, to religion, to God." The countess, her mother, appears to have been a charming woman, very partial to Liszt, whom she engaged to instruct Mademoiselle in music. The lessons went not by time, but by inclination. The young man's eloquence, varied knowledge, ardent love of literature, and flashing genius won both the mother and daughter. Not one of them seemed to suspect the whirlpool of grief and death to which they were hurrying. The countess fell ill and died, but not before she had recommended Liszt to the Count St. Cricq as a possible suitor for the hand of Mademoiselle. The haughty diplomat, St. Cricq, at once put his foot down. The funeral Over, Liszt's movements were watched. They were innocent enough. He was already an enfant de la maison, but one night he lingered reading aloud some favorite author to Mademoiselle a little too late. He was reported by the ser- vants, and received his polite dismissal as music master. In an interview with the count his own pride was deeply wounded. " Difference of rank ! " said the count. That was quite enough for Liszt. He rose, pale as death, with quiver- ing lip, but uttered not a word. As a man of honor he had but one course. He and Caroline parted forever. She contracted later an uncongenial marriage ; he seems to have turned with intense ardor to religion. His good mother used to complain to those who came to inquire for him that he was all day long in church, and had ceased to occupy himself, as he should, with music. It was toward the close of 1831 that Liszt met Chopin in Paris. From the first, these two men, so different, became fast friends. Chopin's delicate, retiring soul found a singular delight in Liszt's strong and imposing personality. Liszt's exquisite perception enabled him perfectly to live in the strange dreamland of Chopin's fancies, while his own vigor inspired Chopin with nerve to conceive those mighty Polonaises that he could never properly play himself, and which he so gladly committed to the keeping of his prodigious friend. Liszt undertook the task of interpreting Chopin to the mixed crowds which he revelled in sub- duing, but from which his fastidious and delicately strung friend shrank with something like aversion. From Chopin, Liszt and all the world after him got that tempo rubato, that playing with the duration of notes without breaking the time, and those arabesque