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 272 ARTISTS AND AUTHORS MEISSONIER* By Clarence Cook (1813-1891) A mono the many beautiful paintings col- lected in the Metropolitan Museum of Art of New York, there is one that always at- tracts a crowd, on the free-days and holidays when the general public finds admission. This is the picture called simply, " Friedland : 1807," and representing the soldiers of Napoleon salut- ing the emperor at the battle of Friedland. It was painted by Jean Louis Meissonier for the late A. T. Stewart, of New York, who paid for it what seemed a very large sum, $60,000 ; but' when Mr. Stewart died, and his pictures were sold at auction, this painting brought the still larger sum of $66,000, showing that a great many people admired the work, and were will- ing to pay a good price for it. The picture was bought by Judge Hilton, of New York, and was presented by him to the Metropolitan Museum as a memorial of the long friendship that had existed be- tween himself and Mr. Stewart. No doubt the facts of the high price paid for the picture, and that a gift of such value should be made to the Museum, have caused a great many people to look at the painting with more interest than they would, had the circumstances been less uncommon. But a great many more peo- ple find this picture interesting for its own sake ; they are moved rather by the spirited way in which it tells its story, and find their curiosity excited by the studious accuracy shown by the artist in the painting of every detail. The scene of the action is a field that has been planted with grain which now lies trampled under the feet of men and horses. The turning-point in the battle has been reached, and in the joy of coming victory, the body-guard of the em- peror, spurring their jaded horses to the hillock where he sits on his white charger surrounded by his mounted staff, salute him with loud cries as they rush madly by him. Napoleon, calm and self-possessed, returns the salute, but it is plain his thoughts are busier with the battle that is raging in the distance than with these demonstrations of his body-guard's loyalty. This picture was the favorite work of the artist ; he calls it, " the life and joy of my studio," and he is said to have worked on it at intervals during fifteen years. Somebody has said that "genius" means nothing but "taking pains." In that case, Meissonier must have been a man of genius, for, with whatever he painted,
 * Copyright, i8g4, by Selmar Hess.