Page:German Classics of The 19h and 20th C. Vol.19.djvu/286

 a lieutenant of the Guard on leave: you will scarcely need to lift your eyes and utter a word before every one will know that you are not a man, but something strange, something that estranges, that is different &hellip;

"But what is the artist? Toward no question has mankind's indolence and inertia of discernment proved more unyielding than toward this one. 'Such things are a gift,' humbly say the good people who are under the influence of an artist, and because cheerful and exalted effects, according to their good-natured view, must quite inevitably have cheerful and exalted origins, nobody suspects that we may perhaps have here a most questionable 'gift,' most evilly conditioned &hellip; It is known that artists are over-sensitive—well, it is also known that this is not the case with people of good conscience and well-founded self-esteem &hellip; You see, Lisaveta, at the bottom of my soul—translated into the intellectual—I have all the suspicion of the artist type with which each one of my honorable forefathers up yonder in that cramped city would have encountered any charlatan or adventurous 'artist' that might have entered his house. Listen to this. I know a banker, a gray-haired business man, who possesses the ability to write stories. He makes use of this talent in his hours of leisure, and his things are sometimes quite excellent. Despite—I say 'despite'—this sublime talent, this man's record is not wholly stainless; on the contrary, he has already had to serve a long term in prison, and for valid reasons. Indeed it was really in prison that he first became aware of his ability, and his experiences as inmate of the jail form the fundamental theme in all his writings. One might infer from this, with a little boldness, that it is necessary to be at home in some sort of a penal institution in order to become a poet. But does not the suspicion arise that his experiences as convict may have been less intimately interwoven with the roots and origins of his artistry than what made him one—! A banker who writes stories is a curiosity, isn't he? But a non-criminal, honest banker of clean