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was less than two years since she had come up to the capital, to seek her fortunes there in literature. Aurore Dudevant, hereafter to be spoken of as George Sand (for she made her adopted name more her own than that she had borne hitherto, and became George Sand for her private friends as well as for the public), found herself raised to eminence among the eminent. And it was at an exceptionally brilliant epoch in French imaginative literature that the distinction had been won. Such a burst of talent as that which signalised the opening years of Louis Philippe's reign is unexampled in French literary history. With Hugo, Dumas, De Musset, Balzac, not to mention lesser stars, the author of Indiana and Valentine, although a woman, was acknowledged as worthy to rank. The artist in her, a disturbing element in her inner life which had driven her out of the spiritual