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128 writings, dispassionate examination of what she actually inculcated leaves but little warrant, in the state of progress now reached, for echoing the mighty outcry raised against it at the time. No doubt she thought that a complete reorganization of society on a new basis was eminently to be desired. But what she definitely advocated was, first, free education for the poor, and secondly, some fairer adjustment of the relations to each other of capital and labour. As to the first, authority has already sanctioned her opinion; the second question, if unsettled, has become a first preoccupation with statesmen and philosophers of all denominations in the present day.

With regard to the complete solution of the problem she leaves her socialist heroes, as she herself felt, in doubt and perplexity. There was something in the schemes and doctrines she conscientiously approved irreconcilable with her artist-nature—a materialistic tendency which clashed with her poetical instincts. When the stern demagogue Michel denounced the whole tribe of artists as a corrupting influence, enervating to the courage and will of a nation, she rose up energetically in defence of the confraternity to which she was born:—

Will you tell me, pray, what yon mean, with your declamations against artists. Cry out against them as much as you please, but respect art. Oh you Vandal! I like that stern sectarian who wants to dress Taglioni in a stuff gown and sabots, and set Liszt's hands to turn the machinery of a wine-press, and who yet, as he lies on the