Page:George Eliot and Judaism.djvu/79

 utely finished though he be, he is not so much an artificial piece of workmanship as an intuition sprung, as it were, full grown from the authoress's brain. Mordecai is carved of the wood from which prophets are made, and so far as the supersensuous can be rendered intelligible, it may even be said that in studying him we are introduced into a studio or workshop of the prophetic mind. He is one of the most difficult as well as one of the most successful essays in psychological analysis ever attempted by an author; and in his wonderful portrait, which must be closely studied, and not epitomised or reproduced in extracts, we see glowing enthusiasm united to cabbalistic profundity, and the most morbid tension of the intellectual powers united to clear and well-defined hopes. How has the authoress succeeded in making Mordecai so human and so true to nature? By mixing the gold with an