Page:George Eliot and Judaism.djvu/61

 time, so the two narratives which run side by side in 'Daniel Deronda' are to be regarded as pendants mutually illustrating and explaining one another. But it need scarcely be said that the authoress has not fallen into the error of expressly indicating this relation, by crudely holding the two pictures up opposite each other. Her creation belongs to that more earnest kind of art which opens its treasures only to attentive observation, and which rewards us in proportion to the depth of our insight. The contrast afforded by these two narratives is, in truth, an inexhaustible spring of fruitful remark and gratifying perception for the reflective reader. In perusing a work of genius we need not fear that we shall see and find more meaning than it really holds, for it is certain to contain all and more than all that the author was clearly conscious of, while composing it; and it is a light accusation