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 flesh and blood of the characters, and made them lifelike, and able to captivate and carry us along with them. And it is not till we have taken up this point of view that the conclusion will force itself upon us that 'Daniel Deronda' is a Jewish book not only in the sense that it treats of Jews, but also in the sense that it is pre-eminently fitted for being understood and appreciated by Jews; indeed, they only are qualified to embrace and enjoy its full significance. For what is it that binds us to the poet? What else than his power of expressing the words which rise to all our lips and yet remain unuttered, of giving voice to the feelings of each of us, of weeping with one and making merry with another, and of having something to offer to every human heart which may often have been sighed for, but which has never been realised and grasped so securely hitherto. Naturally it is a