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Rh Positivist community. In conversation with an old and valued friend, she also repeatedly expressed her objection to much in Comte's later speculations, saying on one occasion, "I cannot submit my intellect or my soul to the guidance of Comte." The fact is that, although George Eliot was greatly influenced by the leading Positivist ideas, her mind was too original not to work out her own individual conception of life.

What this conception is has been already indicated, so far as space would permit, in the discussion of her successive works. Perhaps in the course of time her moralising analytical tendency encroached too much on the purely artistic faculty. Her eminently dramatic genius—which enabled her to realise characters the most varied and opposite in type, somewhat in the manner of Shakespeare—became hampered by theories and abstract views of life. This was especially shown in her latest work, 'The Impressions of Theophrastus Such,' a series of essays chiefly satirising the weaknesses and vanities of the literary class. In these unattractive "impressions" the wit is often laboured, and does not play "beneficently round the changing facets of egoism, absurdity, and vice, as the sunshine over the rippling sea or the dewy meadows." Its cutting irony and incisive ridicule are no longer tempered by the humorous laugh, but have the corrosive quality of some acrid chemical substance.

One of the papers, however, that entitled 'Debasing the Moral Currency,' expresses a strongly marked characteristic of George Eliot's mind. It is a pithy protest against the tendency of the present generation to turn the grandest deeds and noblest works of art into food for laughter. For she hated nothing so