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184 however incredible it may sound, that an undiscriminating friend once condoled with George Eliot on the melancholy experience which, from her knowledge of Lewes, had taught her to depict the gloomy character of Casaubon; whereas, in fact, there could not be a more striking contrast than that between the pedant groping amid dim fragments of knowledge, and the vivacious littérateur and thinker with his singular mental energy and grasp of thought. On the novelist's laughingly assuring him that such was by no means the case, "From whom, then," persisted he, "did you draw 'Casaubon'?" With a humorous solemnity, which was quite in earnest, she pointed to her own heart. She confessed, on the other hand, having found the character of Rosamond Vincy difficult to sustain, such complacency of egoism, as has been pointed out, being alien to her own habit of mind. But she laid no claim to any such natural magnanimity as could avert Casaubon's temptations of jealous vanity, and bitter resentment.

If there is any character in whom one may possibly trace some suggestions of Lewes, it is in the versatile, brilliant, talented Ladislaw, who held, that while genius must have the utmost play for its spontaneity, it may await with confidence "those messages from the universe which summon it to its peculiar work, only placing itself in an attitude of receptivity towards all sublime chances." But however charming, the impression Ladislaw produces is that of a somewhat shallow, frothy character, so that he seems almost as ill-fitted for Dorothea as the dreary Casaubon himself. Indeed the heroine's second marriage seems almost as much a failure as the stultifying union of Lydgate with Rosamond Vincy, and has