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174 but is painfully startled from her defiant mood by the indignant query of Walpurga, her humble cousin—

It may seem singular that having once, in 'Armgart,' drawn a woman of the highest artistic aims and ambitions, George Eliot should imply that what is most valuable in her is not the exceptional gift, but rather that part of her nature which she shares with ordinary humanity. This is, however, one of her leading beliefs, and strongly contrasts her, as a teacher, with Carlyle. To the author of 'Hero Worship' the promiscuous mass—moiling and toiling as factory hands and artisans, as miners and labourers—only represents so much raw material, from which is produced that final result and last triumph of the combination of human forces—the great statesman, great warrior, great poet, and so forth. To George Eliot, on the contrary—and this is the democratic side of her nature—it is the multitude, so charily treated by destiny, which claims deepest sympathy and tenderest compassion; so that all greatness, in her eyes, is not a privilege, but a debt, which entails on its possessor a more strenuous effort, a completer devotion to the service of average humanity.