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154 but unfortunately never executed, drama of 'Mahomet.' It is that of a man of moral genius, who, in solitude and obscurity, has conceived some new, profounder aspect of religious truth, and who, stirred by a sublime devotion, now goes forth among men to bless and regenerate them by teaching them this higher life. But in his contact with the multitude, in his efforts at influencing it, the prophet or preacher is in his turn influenced. If he fails to move by the loftiest means, he will gradually resort to the lower in order to effect his purpose. The purity of his spirit is tarnished, ambition has crept in where holiness reigned, and his perfect rectitude of purpose will be sacrificed so that he may but rule.

Such are the opposing tendencies co-existing in Savonarola's mixed but lofty nature. For "that dissidence between inward reality and outward seeming was not the Christian simplicity after which he had striven through years of his youth and prime, and which he had preached as a chief fruit of the Divine life. In the heat and stress of the day, with cheeks burning, with shouts ringing in the ears, who is so blest as to remember the yearnings he had in the cool and silent morning, and know that he has not belied them?" And again: "It was the habit of Savonarola's mind to conceive great things, and to feel that he was the man to do them. Iniquity should be brought low; the cause of justice, purity, and love should triumph, and it should triumph by his voice, by his work, by his blood. In moments of ecstatic contemplation, doubtless, the sense of self melted in the sense of the Unspeakable, and in that part of his experience lay the elements of genuine self-abasement; but in the presence of his fellow-men for whom he