Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/88

 stand better by themselves when detached from the incoherent and disorderly context, was apparently as incapable of doing justice to the art of Massinger as of reducing under any law of harmony to any fitness of form his own chaotic and abortive conceptions of a plot; for the most faithful admirer of that genius which is discernible beyond mistake in certain majestic passages of his blank verse must admit that his idea of a play never passed beyond the embryonic stage of such an organism as that upon which he conferred the gift of lyric utterance in his best and favourite song, and that his hapless dramatic offspring was never and could never have been more than 'a bodiless childful of life in the gloom, Crying with frog voice, What shall I be?' Perhaps too for him the taint of Gifford's patronage was still on Massinger, and the good offices of that rancorous pedant may have inclined him to undervalue the worth of a poet announced and accompanied by the proclamation of such a herald. This connexion, fortunate as in one way it was for the dramatist to whose works it secured for ever a good and trustworthy text admirably edited and