Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/82

 Although, however, we may be inclined to allow no great weight to the tradition current fifty-seven years after the death of Chapman, which according to Langbaine was at that date the only authority that led him to believe in the general vague ascription of this work to the poet under whose name it has ever since found a questionable place in the corners of catalogues at the tail of his authentic comedies, the very fact of this early attribution gives it a certain external interest of antiquarian curiosity, besides that which it may fairly claim as a quaint example of controversial dialectics on the conservative side. The dialogues are not remarkable either for Platonic skill or for Platonic urbanity; for which reason they may probably be accepted with the more confidence as fairly expressive of the average of opinion than afloat among honest English citizens of the middle class, jealous of change, suspicious of innovation, indignant at the sight of rascality which they were slow to detect, much given to growl and wail over the decay of good old times and the collapse of good old landmarks, the degeneracy of modern manners, and the general