Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/78

 Two other titles are usually found in the catalogue of Chapman's extant comedies; but it seems to me as difficult to discover any trace of Chapman in the comedy of The Ball as of Shirley in the tragedy of Chabot. These two plays were issued by the same printer in the same year for the same publishers, both bearing the names of Chapman and Shirley linked together in the bonds of a most incongruous union; hut I know not if there be any further ground for belief in this singular association. The mere difference in age would make the rumour of a collaboration between the eldest of old English dramatists and the latest disciple of their school so improbable as to demand the corroboration of some trustworthier authority than a bookseller's title-page bearing date five years after the death of Chapman. In the very next year a play was published under the name of Fletcher, who had then been fifteen years dead; this play was afterwards reclaimed by Shirley as the work of his own hand, and of his alone; nor is there any doubt that Fletcher had not a finger in it. Of the authorship of Chabot there can be no