Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/75

 till the reader finds himself defrauded of the higher interest which he was led to expect, and wearied of the empty substitute which the waywardness or indolence of the author has chosen to palm off on him in its stead. Towards the end indeed there is a profuse waste of good points and promising possibilities; the humorous ingenuity of the devices so well contrived to wind up together and in order the double thread of the main plot is stinted of room to work in and display its excellent quality of invention, and the final scene, which should have explained and reconciled all doubts and errors at large with no less force and fulness of careful dramatic capacity than was employed upon their exposition, is hastily patched up and slurred over to leave place for a last superfluous exhibition of such burlesque eloquence as had already been admitted to encumber the close of another comedy, more perfect than this in construction, but certainly not more interesting in conception. In spite however of this main blemish in the action, Monsieur d'Olive may properly be counted among the more notable and successful plays of Chapman.