Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/65

 or Crispinaccio would have found his proper element in an atmosphere whose fumes should never have been inhaled by the haughty and high-souled author of The Poetaster; and from behind his master's chair, with no need to seek for fear if not for shame the dastardly and lying shelter of a pseudonym which might at a pinch have been abjured, and the responsibility for its use shifted from his own shoulders to those of a well-meaning and invisible friend, the laurelled lackey of King James might as securely have launched his libels against the highest heads of poets to whom in that age all eyes looked up which would have looked down on him, as ever did the illustrious Latinist, Buchanan against the mother of the worthy patron whose countenance would probably have sufficed to protect the meanest and obscurest creature of his common and unclean favour against all recrimination on the part of Shakespeare or of Jonson, of Beaumont or of Webster, of Fletcher or of Chapman.

The comedy thus celebrated for the peril it brought upon the ears and noses of its authors has of itself merit enough to have won for writers of less previous