Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/61

 in part be owing to the slighter value set by the author on the workmanship of these. By temperament and inclination he was rather an epic or tragic than a comic poet: and in writing verse of a tragic or epic quality he evidently felt it incumbent on him to assert the dignity of his office, to inflate and exalt his style with all helps of metaphor and hyperbole, to stiffen the march of his metre and harden the structure of his language; and hence he is but too prone to rely at need on false props of adventitious and barbaric dignity, to strut on stilts or to swim on bladders: whereas in writing for the comic stage he was content to forget, or at least to forego, this imaginary dignity and duty; he felt himself no longer bound to talk big or to stalk stiffly, and in consequence was not too high-minded to move easily and speak gracefully. It is clear that he set no great store by his comic talent as compared with the other gifts of his genius; of all his comedies two only, All Fools and The Widow's Tears, have dedications prefixed to them, and in both cases the tone of the dedication is almost apologetic in its slighting reference to the slight worth of the work presented; a