Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/41

 I have dwelt thus long on a seemingly irrelevant and discursive inquiry because I could discover no method so fit to explain the nature of the fault I cannot but find in the poet of whom I have to speak, as by contrast of his work with the work of another, upon whom this fault has been wrongly charged by the inaccurate verdict of hasty judges. In answer to these I have shown that the very essence of Mr. Browning's aim and method, as exhibited in the ripest fruits of his intelligence, is such as implies above all other things the possession of a quality the very opposite of obscurity—a faculty of spiritual illumination rapid and intense and subtle as lightning, which brings to bear upon its central object by way of direct and vivid illustration every symbol and every detail on which its light is flashed in passing. Thus in Fifine the illustration derived from a visionary retrospect of Venice, and in Sordello the superb and wonderful comparison of the mental action of a man who puts by for a season the memories in which he has indulged for a moment before turning again to the day's work, with that of a fugitive slave who thinks over in a pause