Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/172

 sets forth the excellence of perfect marriage has less of poetic illustration and imaginative colour, but is a no less admirable model of clear and vigorous language applied to the fit and full expression of high thought and noble emotion. But as a rule we find the genius of Chapman at its best when furthest removed from female influence; as in the two plays of Biron and those nobler parts of the "Roman tragedy" of Cæsar and Pompey in which Cato discourses on life and death. The two leading heroines of his tragic drama, Tamyra and Caropia, are but a slippery couple of sententious harlots who deliver themselves in eloquent and sometimes in exalted verse to such amorous or vindictive purpose as the action of the play may suggest. Whether the secret of this singular defect in a dramatic poet were to be sought in coldness of personal temperament, in narrowness of intellectual interest, or simply in the accidental circumstances which may have given a casual direction to his life and thought, we need not now think to conjecture. He was ready enough to read lectures on love or lust, to expatiate with a dry scholastic sensuality on the details and