Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/17

 and sought shelter at need from its advance behind the shield of some tutelary Pittacus or Pisistratus. What Pope said of Chapman's Homer may be applied with a difference to his original poetry; it might not be inaccurate to say that he often writes, not indeed as Homer, but as Theognis might have written before he came to years of discretion. He shows, we must admit, only in a few couplets or brief paragraphs the pure and luminous charm of perfect speech proper to a Greek moralist of the elegiac school; but he has more of a certain fire and force of fancy than we should look for in a poet of that order, where with far less of thick acrid smoke there is also less real heat and flame perceptible than struggles here through the fume and fog of a Cimmerian style. The dialect of Chapman's poems is undoubtedly portentous in its general barbarism; and that study of purer writers, which might in another case have been trusted to correct and chasten the turgid and fiery vigour of a barbarian imagination, seems too often to have encrusted the mind with such arrogance and the style with such pedantry as to make certain of these poems, full of