Page:Genius, and other essays.djvu/221

EDWIN BOOTH strength never so much as now. How we lend our own impulses to the effort with which the veteran grasps the sword wherewith he shore "the stalwart Englisher," strive with him in that strong yearning to whirl it aloft, sink with him in the instant, nerveless reaction, and sorrow that "a child could slay Richelieu now!" He is not the intriguer of dark tradition, wily and cruel for low ambitious ends, but entirely great, in his protection of innocence and longing for affection, and most of all in that supreme love of France to which his other motives are subservient. Booth seizes upon this as the key-note of the play, and is never so grand as when he rises at full height with the averment,

Bulwer's Richelieu, though written in that author's pedantic, artificial manner, and catching the groundlings with cheap sentiment and rhetorical platitudes, is yet full of telling dramatic effects, which, through the inspiration of a fine actor, lift the most critical audience to sudden heights. One of this sort is justly famous. We moderns, who so feebly catch the spell which made the Church of Rome sovereign of sovereigns for a thousand years, have it cast full upon us in the scene where the Cardinal, deprived of [207]