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GENIUS AND OTHER ESSAYS and no actor ever managed both face and voice better than he in delivering his own verses merry or sad. One night, he was seen among the audience at "Uncut Leaves," and was instantly requested to do something towards the evening's entertainment. As he was not in evening dress, he refused to take the platform, but stood up in the lank length of an ulster, from his corner seat, and recited "Dibdin's Ghost" and "Two Opinions" in a manner which blighted the chances of the readers that came after him. It is true that no clown ever equalled the number and lawlessness of his practical jokes. Above all, every friend that he had—except the Dean of his profession, for whom he did exhibit unbounded and filial reverence—was soon or late a victim of his whimsicality, or else justly distrusted the measure of Field's regard for him. Nor was the friendship perfected until one bestirred himself to pay Eugene back in kind. As to this, I am only one of scores now speaking from personal experience. There seemed to be no doubt in his mind that the victim of his fun, even when it outraged common sensibilities, must enjoy it as much as he. Who but Eugene, after being the welcome guest, at a European capital, of one of our most ambitious and refined ambassadors, would have written a lyric, sounding the praises of a German "onion pie," ending each stanza with

and would have printed it in America, with his host's initials affixed? [186]