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Chap. III.] both begin with the notes of the tonic chord. Observe at (d) another instance of the lengthening of the last note of the answer.

94. We now give a number of examples where the leap between tonic and dominant has a real answer, because the subject begins with the notes of the tonic chord—

In all these instances, taken from the works of Bach, the answers are real. After what has been said, no further explanation will be required.

95. In the works of Handel we find a real answer in such