Page:Fugue by Ebenezer Prout.djvu/213

Chap. XI.] This subject, like the other, is four bars in length; it is also treated in six parts by the addition of entries for two violins; but the irregularity of the intervals of reply show that this exposition belongs to the fugato (§ 358) rather than to strict fugue.

390. To the counter-exposition succeeds immediately the combination of the two subjects, of which we quote the first bars. For the sake of clearness, we here give them in open score.