Page:Fugue by Ebenezer Prout.djvu/194

176 It will be seen that here the final entry is in stretto at close distance of time for all the voices; but in this form it is not necessary to observe the rule (§ 252) that the last voice that enters must complete the subject. Here the tenor in bars 10 and 11 gives the subject in an abridged and slightly varied form.

357. Sometimes, after a complete exposition, the final entry will only be fragmentary, and will be followed by a coda.