Page:From Songs of the Affections 1840.pdf/11



is a charm of antique grace, of the majestic repose resulting from a faultless symmetry, about the whole of this composition, which inclines us to rank it as among the most consummate works of art ever achieved by the master-mind of its author. The perfection of its design and finish is analogous to that of a Grecian temple, seen as the crown of some old classic height, with all its pure outlines—all the delicate proportions of its airy pillars—brought into bold relief by the golden sunshine, and against the unclouded blue of its native heavens. Complete within itself, the harmonious edifice is thus also to the mind and eye of the