Page:Freud - Wit and its relation to the unconscious.djvu/356

 suddenly from the freed pleasure of the comparison but comes gradually; there are many cases which only touch the comic, in which one might doubt whether they show the comic character. The comparison undoubtedly becomes comical when the niveau difference of the expenditure of abstraction between the two things compared becomes increased, if something serious and strange, especially of intellectual or moral nature is compared to something banal and lowly. The former release of pleasure and the contribution from the conditions of conceptual mimicry may perhaps explain the gradual change—which is determined by quantitative relations,—from the universally pleasurable to the comic, which takes place during the comparison. I am certainly avoiding misunderstandings in that I emphasize that I deduce the comic pleasure in the comparison, not from the contrast of the two things compared but from the difference of the two abstraction expenditures. The strange which is difficult to grasp, the abstract and really intellectually sublime, through its alleged agreement with a familiar lowly one, in the imagination of which every abstraction expenditure disappears, is now itself unmasked as something equally lowly. The comic