Page:Freud - The interpretation of dreams.djvu/225

Rh follows, and sexual life and cultural development begin. Into this Paradise the dream can take us back every night; we have already ventured the conjecture that the impressions from earliest childhood (from the prehistoric period until about the end of the fourth year) in themselves, and independently of everything else, crave reproduction, perhaps without further reference to their content, and that the repetition of them is the fulfilment of a wish. Dreams of nakedness, then, are exhibition dreams.

One's own person, which is seen not as that of a child, but as belonging to the present, and the idea of scanty clothing, which became buried beneath so many later négligée recollections or because of the censor, turns out to be obscure—these two things constitute the nucleus of the exhibition dream. Next come the persons before whom one is ashamed. I know of no example where the actual spectators at those infantile exhibitions reappear in the dream. For the dream is hardly ever a simple recollection. Strangely enough, those persons who are the objects of our sexual interest during childhood are omitted from all the reproductions of the dream, of hysteria, and of the compulsion neurosis; paranoia alone puts the spectators back into their places, and is fanatically convinced of their presence, although they remain invisible. What the dream substitutes for these, the "many strange people," who take no notice of the spectacle which is presented, is exactly the wish-opposite of that single, intimate person for whom the exposure was intended. "Many strange people," moreover, are often found in the dream in any other favourable connection; as a wish-opposite they always signify "a secret." It may be seen how the restoration of the old condition of affairs, as it occurs in paranoia, is subject to this antithesis. One is no longer alone. One is certainly being watched, but the spectators are "many strange, curiously indeterminate people."

Furthermore, repression has a place in the exhibition