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it likely that few people besides myself have ever actually seen and spoken with a “cave-man.”

Yet everybody nowadays knows all about the cave-man. The fifteen-cent magazines and the new fiction have made him a familiar figure. A few years ago, it is true, nobody had ever heard of him. But lately, for some reason or other, there has been a run on the cave-man. No up-to-date story is complete without one or two references to him. The hero, when the heroine slights him, is said to “feel for a moment the wild, primordial desire of the cave-man, the longing to seize her, to drag her with him, to carry her away, to make her his.” When he takes her in his arms it is recorded that “all the elemental passion of the cave-man surges through him.” When he fights, on her behalf, against a dray-man or a gun-man or an ice-man or any other compound that makes up a modern villain, he is said to “feel all the fierce fighting joy of the cave-man.” If they