Page:French Revolution (Belloc 1911).djvu/59

 is what we mean when we say that style is necessary to a book; that a great civilisation may partly be judged by its architecture; that, as Plato says, music may be moral or immoral, and so forth. The artist, though he is not at the root of human affairs, is a necessary and proper ally in their development.

When I say that Mirabeau was an artist I mean that wherever his energies might have found play he would there have desired to enjoy and to create enjoyment through some definite medium. This medium was in part literary, but much more largely oral expression. To be a tribune, that is the voice of great numbers, to persuade, nay, to please by his very accents and the very rhythm of his sentences, these things occupied the man; but he also brought into his art that without which no great art can exist: mere intellect.

He believed in the main principles at least which underlay the revolutionary movement, he understood them and he was prepared to propagate them; but his power over men was not due to this conviction: his power over men was wholly that of the artist, and had he by some accident been engaged in maintaining the attack against democracy, he would have been nearly as famous as he became under the title of its defender. We must then always consider Mirabeau as an orator, though an orator endowed with a fine and clear intelligence and with no small measure of reasoned faith.

Much else remains to be said of him.