Page:Frazer (1890) The Golden Bough (IA goldenboughstudy01fraz).djvu/366

344 and represents the Corn-mother, is told that she is about to be brought to bed; she cries like a woman in travail, and an old woman in the character of grandmother acts as midwife. At last a cry is raised that the child is born; whereupon the boy who is tied up in the sheaf whimpers and squalls like an infant. The grandmother wraps a sack, in imitation of swaddling bands, round the pretended baby, and it is carried joyfully to the barn, lest it catch cold in the open air. In other parts of North Germany, the last sheaf, or the puppet made out of it, is called the Child, the Harvest Child, etc. In the North of England the last handful of corn was cut by the prettiest girl and dressed up as the Corn Baby or Kern Baby; it was brought home to music, set up in a conspicuous place at the harvest supper, and generally kept in the parlour for the rest of the year. The girl who cut it was the Harvest Queen. In Kent the Ivy Girl is (or was) “a figure composed of some of the best corn the field produces, and made as well as they can into a human shape; this is afterwards curiously dressed by the women, and adorned with paper trimmings, cut to resemble a cap, ruffles, handkerchief, etc., of the finest lace. It is brought home with the last load of corn from the field upon the waggon, and they suppose entitles them to a supper at the expense of the employer.” In the neighbourhood of Balquhidder, Perthshire, the last handful of corn is cut by the youngest girl on the field, and is made into the rude form of a female doll, clad in a paper dress, and decked with ribbons. It is called the Maiden, and is kept in the farmhouse, generally above the chimney,