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438 ménage. To her aunt, Mrs. Arabin, who strove hard to lead her into some open-hearted speech as to her future aspirations, she was perfectly impassive. "Oh yes, aunt, of course," and "I'll think about it, Aunt Eleanor," or "Of course I shall do that, if Lord Dumbello wishes it." Nothing beyond this could be got from her; and so, after half a dozen ineffectual attempts, Mrs. Arabin abandoned the matter.

But then there arose the subject of clothes—of the wedding trousseau! Sarcastic people are wont to say that the tailor makes the man. Were I such a one, I might certainly assert that the milliner makes the bride. As regarding her bridehood, in distinction either to her girlhood or her wifehood—as being a line of plain demarkation between those two periods of a woman's life—the milliner does do much to make her. She would be hardly a bride if the trousseau were not there. A girl married without some such appendage would seem to pass into the condition of a wife without any such line of demarkation. In that moment in which she finds herself in the first fruition of her marriage finery she becomes a bride; and in that other moment, when she begins to act upon the finest of these things as clothes to be packed up, she becomes a wife.

When this subject was discussed Griselda displayed no lack of a becoming interest. She went to work steadily, slowly, and almost with solemnity, as though the business in hand were one which it would be wicked to treat with impatience. She even struck her mother with awe by the grandeur of her ideas and the depth of her theories. Nor let it be supposed that she rushed away at once to the consideration of the great fabric which was to be the ultimate sign and mark of her status, the quintessence of her briding, the outer veil, as it were, of the tabernacle—namely, her wedding-dress. As a great poet works himself up by degrees to that inspiration which is necessary for the grand turning-point of his epic, so did she slowly approach the hallowed ground on which she would sit, with her ministers around her, when about to discuss the nature, the extent, the design, the coloring, the structure, and the ornamentation of that momentous piece of apparel. No; there was much indeed to be done before she came to this; and as the poet, to whom I have already alluded, first invokes his muse, and then brings his smaller events gradually out