Page:Four Victorian poets; a study of Clough (IA fourvictorianpoe00broorich).pdf/48

 never at a white heat; on the contrary, its play is gentle, soft, touched, like an autumn evening when summer has just died, with tender, clear, brooding light. The greater number of these poems are such as a man who lived in a constant atmosphere of trouble and battle might write, when, wearied with the strife, he enjoyed an hour of forgetful rest after trouble, and of sheathing of the sword after battle; and I do not know of any other poet of whom this may be said so truly, In that he is alone—that is the distinction of these early poems. And this clear, soft, brooding note is just as clearly struck in the poems which have nothing to do with the trouble of the soul, but with matter of the affections, I quote this little idyll: how grave it is, and tender; what an evening light rests upon it; not the light of Italy, but of the northern sky among the mountains. What self-control breathes in it; what a quiet heart, quiet, not by the absence of passion, but by self-restraint, and by that on which Clough so often dwelt and which subdued his poetry, so often—by the sense of the inevitable, of a fate which, hemming us in on every side, imposes on us its will, and ignores our struggle and our pain:

The skies have sunk, and tied the upper snow, (Home, Rose, and home, Provence and La Palie.) The rainy clouds are filing fast below, And wet will be the path, and wet shall we. Home, Rose, and home, Provence and La Palie.