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RECENSION OF THE MAIIABHARATA 195 the genius and personality of that unknown poet who presided over the deliberations of the Council of Recension, if we could say with certainty what touches in the great work were his. Was he responsible, for instance, for that supremely beautiful incident, according to which, up to a certain moment, the wheels of Yudhisthira's chariot had never touched the earth? If so, the world has seen few who for vigour and chastity of imagination could approach him. But not alone for the purpose of literary appreciation would one like to divide the great poem into its component strata. We are familiar with the remark that while the things stated by works of the imagination are usually false, what they mention is very likely to be true. It is the things mentioned in the Mahabharata that demand most careful analysis. Of this kind are the various referery:es to the cities of the period.

Although the centre of the events which the work chronicles is supposed to lie at Hastinapura or Indraprastha in the remote past, we are made constantly aware that the poet himself regards the kingdom of Magadha as the rival focus of power. Jarasandha may or may not have lived and reigned during the age of Krishna and the Pandavas. What is clear is that the last compilers of the Mahabharata could not imagine an India without the royal house of Rajgir. The same fact comes out with equal clearness in the Bhagavata Purana and possibly elsewhere. Now this is a glimpse